Bárbara Wagner, Brasília Teimosa (série), 2008 [Photo Raphaela Campelo]
Bárbara Wagner, Brasília Teimosa (série), 2008 [Photo Raphaela Campelo]
Exposition
Gratuit
Livre d'Artiste
Peinture
Photographie
Sculpture
Technique mixte

Corpo-a-Corpo III Exhibition Cycle

Dates : Samedi 29 novembre 2025 - Dimanche 22 février 2026

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Vernissage : Vernissage sam 29 nov 2025, 14:00 Google iCal / Apple

Vernissage
sam 29 nov 2025, 14:00

Adresse : Casa de Cultura do Parque, Av. Prof. Fonseca Rodrigues, 1300 - Alto de Pinheiros São Paulo , 05461-010 São Paulo

Casa de Cultura do Parque
Av. Prof. Fonseca Rodrigues, 1300 - Alto de Pinheiros São Paulo
São Paulo-SP
05461-010
Brésil

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Description, horaires...

III Exhibition Cycle is built from the private collection of Regina Pinho de Almeida, founder and executive director of the Casa, and is guided by the plurality of languages and media represented in the collection, proposing a rupture of conventional literary, temporal, and audio structures. Curators Claudio Cretti and Tetê Lian highlight the relevance of the collection, composed of more than 500 works, including sound pieces, box-objects, motorized sculptures, experimental publications, and artist books—works that demand a different sense of time within the exhibition space. Project 280x1020 hosts the exhibition “Corpo-a-Corpo” [Body-to-Body], exploring the presence of the body in contemporary production, where lived experiences are shaped by sociocultural contexts. With a critical text by Giovanna Bragaglia, the exhibition gathers works by Acelino Sales – MAHKU (Rio Jordão, 1975), Alex Cerveny (São Paulo, 1963), Bárbara Wagner (Brasília, 1980), Hudinilson Jr. (1957–2013), Regina Parra (São Paulo, 1984), among others. The photo series Brasília Teimosa (2008) by Wagner, for instance, presents the result of a two-year documentation of a Recife neighborhood where residents gathered on Sundays with friends and family to bathe, eat, drink, and enjoy the day by the sea. The work captures gestures of celebration and pleasure as a form of collective affirmation, while also investigating the social dynamics of a community consistently pushed to the margins.