Acervo 29, Concreto 33 [Collection 29, Concrete 33], 1956
Esmalte sobre aglomerado [Enamel on fiberboard], 50 x 50,5 x 5,5 cm
Museu de Arte de São Paulo Assis Chateaubriand
Doação [Gift] Yara e Albert Khoury, 2022
Foto [Photo]: Eduardo Ortega
Judith Lauand: Concrete Deviation Judith Lauand
MASP (Museu de Arte de São Paulo Assis Chateaubriand)
Avenida Paulista, 1578
São Paulo-SP
01310-200
Brésil
The Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from November
25, 2022, to April 2, 2023, the solo exhibition Judith Lauand: desvio concreto [Judith Lauand:
Concrete Deviation], which occupies the museum’s 1st floor. Curated by Adriano Pedrosa,
MASP’s Artistic Director, and Fernando Oliva, MASP’s Curator, and assisted by Matheus de
Andrade, MASP’s Curatorial Assistant, the show is the largest ever devoted to the oeuvre of the
concrete artist, who this year turned 100 years old and completed more than seven decades of
professional production.
The exhibition Judith Lauand: desvio concreto aims to foster new research and debates on
her oeuvre, through 124 works and dozens of documents from her personal files, putting into
perspective the crucial transition—a deviation—she made in the mid-1950s, from figurative art to
abstract geometry. The work Acervo 29, Concreto 33 [Collection 29, Concrete 33] (1956) stands
out in the show, as one of the most significant in her career. The painting has just been donated
by the artist’s family to MASP for this exhibition, being the first of her authorship to be part of the
institution’s collection.
The show also intends to address new perspectives in her oeuvre, reinforcing the role of
political issues such as the repression of the military dictatorship in Brazil, the Vietnam War, and
the social condition of Brazilian women, when the artist crosses themes such as violence,
sexuality, submission, and female freedom.