@rajadandy
Exposition
Gratuit
Collage
Technique mixte
Silent Movement Dandy Diwangkara
Dates : Jeudi 2 avril 2026 - Jeudi 14 mai 2026
-
Vernissage : Vernissage Jeudi 2 avril 2026 - 18:30
Vernissage
Finissage
Adresse : Le Maung Coffee, 51 rue greneta, 75002 Paris
Le Maung Coffee
51 rue greneta
75002 Paris
France
Description, horaires...
Dandy Diwangkara is a multidisciplinary artist whose practice is rooted in movement. His artistic journey began with formal training at the Rambert School of Ballet and Contemporary Dance in London. As a performer and choreographer, his work has been presented at venues including the Linbury Theatre, The Place, and English National Opera. This background in dance continues to shape his visual language across mediums.
Extending beyond choreography, Dandy's practice encompasses photography, drawing, and intricate paper artworks. Across these diverse forms, one principle remains constant: movement. Textures, repetition, and shadow recur throughout his work, translating the physicality of dance into visual form.
His experience as an immigrant deeply informs this visual vocabulary. Texture becomes a metaphor for adaptation and layers of cultures, intersecting over time. Shadow reflects identity: inseparable, persistent, and sometimes shifting depending on the light. Repetition echoes discipline, the steady rhythm required to maintain balance through change and displacement.
In this recent series of paper artworks, Dandy confronts the bureaucratic reality of identity. Paper, fragile yet authoritative, becomes both material and subject. These paperworks quietly shape the course of a life, determining belonging, movement, and legitimacy.
The works ask a universal question: how much of who we are is defined by the documents we carry?
Born in Surabaya, Diwangkara lived briefly in Singapore before moving to London, where he spent more than two decades developing his artistic career. He is now based in Marseille. Periods spent in Nicaragua, Marrakech, and Colorado have further shaped his perspective. Some of these movements were not chosen by himself, yet each relocation left an imprint on his creative process.
Through his work, Dandy traces the invisible choreography of migration, identity, and belonging.
His practice reflects a continuous negotiation between movement and stillness, control and uncertainty, fragility and resilience, revealing how lives, like paper, are folded and refolded by the forces that shape them.
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